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Accattone explores minor practices in art and architecture through the specific means of the printed magazine. As an exhibition on paper, each issue is a montage of contributions whose shared positions towards reality, history and representation resonate with one another.
In the current landscape of non-commercial publications, Accattone’s originality lies in the strong visual orientation and in the close association of methods, editorial devices and featured contents. Through these experiments, crossing the methods of artists-as-iconographers with emerging architectural practices, Accattone addresses critically a fundamental aspect of thinking and practice: the working document and the changing status of the image.